Quite a pleasant year it’s been,
Mayhap the best yet I have seen.
And ‘tis true, as some do say,
That I spent it running ‘mongst the fae.
Blessed Canterbury this year has been,
With fae leadership like none yet seen,
And all the talent one could ask,
For the fae portraying task.
Listen*, reader, and you shall hear,
What has transpired this past year.
*Strike “listen” and “hear”, replace both with “read”. You get the idea.
In the mortal world, a gloomy day. At least, until the coming of the fae.
In days long past, it came to be,
A mortal found the courts faerie.
Ever long, his life was made,
So eternally he could guard each glade.
King Sil and I, we are the same. 'Twas not I that made this claim. They say he wished to see the things one would not dare to show to kings. So he walks the and as common fae. At least, that is what they say.
In the mound of the fae King Sil,
His home once was and it is still;
The faerie mound Silbury Hill*.
*Wiltshire, England. Kind of close to Stone Henge.
The place I dwell, the circle round. The ancient tomb, the faerie mound.
When on the Hill each new day dawns,
The once-mortal rises and yawn.
His silver* armour he quickly dons,
And grabs his ancient sword of bronze.
*May not actually be silver. This is theatre, you know. But the sword really is bronze.
Most of the fae, if I may say,
Have faces young and forms quite fine.
They glisten in the sunlit day,
And have a glow nearing divine.

Sometimes, to these lovely fae,
Unscrupulous admirers* seek and pine.
The once-mortal drives them away,
Keeping unwanted suitors in line.
*Or, put plainly, stalkers.
Not an actual stalker.
Quite unlike the other fae,
The once-mortal doth seldom play.
He watches the fae, their homes and gates.
Though some mischief fae nature predicates.
Those with ribbons in their hair,
Or hats with long tails had best beware.
Thou may feel a breeze, but shalt not see,
How the braid behind thee came to be.
With the fall of day and rise of night,
The once-mortal’s daily job is done.
But there is time for a revel or fight,
With the things that stay hidden from the sun.
Some may hunt, or play chess with a brother,
But collaring werewolves is a sport like no other.
And sometimes strange patterns he cuts in the grain,*
To see if it drives the mortals insane.
*Turns out, Silbury Hill is the crop circle capitol of the western world. But I don’t think the phenomenon is period, so I couldn’t put it in the costume.
And with the dead that feed on the living,
There is indeed much misgiving,
For nothing can more vexed be,
Than a vampire near garlic it cannot see.
And the faces it makes, though wicked and vile,
Are funny enough to make the chase worth the while.
Fin.
King Sil's crown, scepter and all that, are guarded by a pumpkin cat. Mortimer is the creature's name, a fearsome fruit impossibe to tame.
Well the sun's shining down on these green fields of France
The warm wind blows gently, and the red poppies dance
The trenches have vanished long under the plow
There's no gas, no barb wire, there's no guns firing now
But here in this graveyard that's still no-man's land
The countless white crosses stand mute in the sand
To man's blind indifference to his fellow man
The whole generation was butchered and damned
Did they beat the drums slowly?
Did they play the pipes lowly?
Did they bugles carry you over as they lowered you down?
And did the band play 'The Last Post' in chorus?
Did the pipes play 'The Flowers Of The Forest'?
-No Man's Land (Green Fields of France), Eric Bogle






Hail good Sir!
CatherineIndeed did I hear tell that thou had been granted the privilege of playing amongst the fae in Canterbury. It doth appear to mine eyes that their King did stay nigh unto thy side... The likenesses included with this missive and thy scribing are, like always, most artfully accomplished.
In service,
Dame Catherine
05:04 PM CST